|

Thomas
began his lifelong love affair with music at the age of four when his
parents took him to an orchestra concert featuring The Little Train
of the Caipira by Heiter Villa-Lobos and Ballet Suite from Estancia
by Alberto Ginastera, both works featuring percussion. It was at this
concert that Thomas met his most important teacher John Galm, who was
Professor of Percussion at the University of Colorado in Boulder. Thomas
studied with Professor Galm through high school, and at the age of
fourteen Thomas was accepted to the prestigious Aspen Music School
to study with Charles Owen, principal percussionist with the Philadelphia
Orchestra for 18 years under Maestro Eugene Ormandy. That summer Bill
Moyers came to Aspen to film a PBS special on Aaron Copland, who was
always in residence during the summers in Aspen. Mr. Owen saw fit to
assign Thomas the gong part on Mr. Copland’s famous Fanfare for
the Common Man, with Copland conducting as a part of the PBS special.
In addition to working with Aaron Copland, Thomas spent four formative
years performing at the Aspen Music Festival, where he also worked
and studied with Elliot Carter, Krystof Penderecki, and members of
the New York Philharmonic, Philadelphia Orchestra, and the San Francisco
Symphony.
Upon graduation from high school, Thomas was accepted to the Hochschule fur Musik
in West Berlin, Germany, where he studied with members of the Berlin Philharmonic
and the Deutsche Oper. He was offered a position with the Theatre des Westens
after substituting for a fellow percussionist, but chose to return to the USA
to continue his studies with timpanist James Rago of the Louisville Orchestra,
whom he had met and studied with in Aspen. Shortly after Thomas began his studies
at the University of Louisville, KY, he became a member of the Louisville Orchestra,
where he performed and recorded for four years, working with composers Karel
Husa, Morton Gould, Michael Colgrass, Lukas Foss, David Amram, Claude Baker,
Maestro Lawrence Leighton Smith and many others. He also performed with the Orquesta
Sinfonica de Mineria (Mexico City) and the Evansville (IN) Philharmonic at this
time.
When the Louisville Orchestra went on strike in the fall of 1984, Thomas moved
to Denver to be timpanist of the Denver Chamber Orchestra under the baton of
Joann Falletta. Since that time, Thomas has also performed with the Colorado
Ballet Orchestra, the Colorado Symphony Orchestra, the Boulder Philharmonic,
the Bedford Springs Music Festival (PA), the Colorado Music Festival, and was
Percussionist and Artist in Residence at St. John’s Episcopal Cathedral
in Denver. He also decided to return to school to complete a degree in conducting,
earning a Bachelor of Music Performance degree from the Metropolitan State College
of Denver and a Master of Arts in Conducting from the University of Denver. Thomas’ baton
once belonged to Frederick Fennel and is a gift from his mentor and teacher Dr.
William Nichols, who received it as a gift from Dr. Fennel.
He has led the following ensembles on the podium: the Colorado Springs Philharmonic,
the Denver Chamber Orchestra, the Mostly Strauss Orchestra, the Boulder Brass,
and was founder and Music Director of the Mercury Ensemble for eleven years.
He was Assistant Conductor for the Junior Symphony Guild’s educational
programs “Inside the Orchestra” and “Tiny Tots” for ten
years.
Currently Thomas is Music Director of the Colorado Chamber Orchestra and the
Mile High Community Band as well as percussionist with the Colorado Springs Philharmonic
and the Denver Municipal Band. As an educator, he currently teaches at Red Rocks
Community College and previously taught at Metropolitan State College of Denver
and Monmouth College (IL). He continues to be a freelance musician throughout
Colorado, writes and arranges music, plays drum set for Goat Magnet (a jazz group),
jazz vibes with the UFS, and has performed in New Zealand with Tempist Fujit,
a rock and roll band. His composition, A Brighton Serenade, is the title cut
for The Mercury Ensembles’ CD for Sonora Productions. Thomas resides in
Fort Collins, Colorado with his wonderful wife pianist Noriko Nikki Tsuchiya
and enjoys cycling, hiking, and gardening when he gets a break from his many
demanding musical roles.

Arturo
Gonzalez was born in Mexico City, Mexico where he received a Bachelor
degree in Piano Performance and Orchestral Conducting. He moved
to the United States to pursue a Masters degree in Sacred Music
and Choral Conducting from Southern Methodist University in Dallas,
Texas, where he was awarded a full international scholarship. He
has studied at Westminster Choir School and UCLA, with prominent
conductors such as Joseph Flumerfelt, Donald Neuen, Paul Salmunovich,
and Anton Armstrong. He has been on the faculties of El Paso Community
College, the University of Texas in El Paso, East Central College
in Saint Louis, Missouri and the University of Chihuahua in Mexico.
Arturo was the Music Director for El Paso Association for the Performing
Arts, The Ballet/Theatre of the Border, East Central Summer productions,
guest conductor of the Midwest Lyric Opera, University City Orchestra,
the State Orchestra of Guanajuato, Symphony Orchestra of the National
Conservatory in Mexico, and the Carlos Chavez Youth Orchestra of
El Sistema in Mexico.
He currently attends the University of Colorado, Boulder where he is pursuing
a Doctoral degree in conducting. Arturo was one of eight semi-finalists of the
American Choral Director Conducting Competition, the only student in the history
of the University of Colorado to achieve this recognition. He has directed since
he was seventeen years old and has conducted choirs and orchestras throughout
Mexico, Central America, the United States, and Spain. Future engagements include
conducting productions of La Bohème and Rigoletto with the Opera of Monterey
and returning as a guest conductor of the Carlos Chavez Youth Orchestra. His
choral arrangements have been published by Choristers Guild and Asbury Press.
Mrs.
Lois Owsley, her husband and two daughters moved to the Fort Collins area from
Lakewood, California in September 2008. She has a BA in Violin Performance from
Colorado State University in Fort Collins, Colorado and an MA in Music Education
from Northwestern State University in Natchitoches, Louisiana. She has played
in symphony orchestras and other musical events as well as taught hundreds of
students on stringed instruments and piano in her home-based Personal Notes Music
Studio in Louisiana (Lake Charles, Alexandria, Natchitoches), Bountiful, Utah,
California (Escondido, Poway, San Marcos, Monterey, Sunnyvale, San Jose, Lakewood)
and now Fort Collins, Colorado. She has been a member of MENC, a long-time member
of Music Teachers Association of California (MTAC) and is currently with the
local FCMTA (Fort Collins Music Teacher’s Association. Mrs. Owsley took
certification classes at California State University Long Beach in 2007 to update
the changes that have occurred in music education and attended five Birch Bay
String Orchestra Teacher’s Workshops in Ferndale, Washington (2003, 2005,
2007, 2009, 2011).
Mrs. Lois Owsley provides personalized instruction on violin, viola, cello and
piano, a lab with computerized theory lessons and opportunities to perform. She
also teaches elementary music appreciation classes at Olive Tree (a school for
the home-schooled community), plays with the praise team and teaches Bible classes
and at Cornerstone Presbyterian Church where her husband is a pastor. She played
viola and/or violin with PVH orchestra from fall of 2008 until Summer of 2011,
serving as concertmaster last year.
Copyright © 2009 Youth Orchestras
of the Rockies. All Rights Reserved. Design by Chris Jusell |